A series of 15 animated metamorphing drawings of Scholar Stones derived from sixty drawings. Each animation morphs between 2 to 6 of the original drawings. Each video will…
A selection of work from a few different in progress series including: Things I Took From A Church On Fire, Sacramental Works, Stepping In The Same Stream Twice,…
A series of drawings made with Ambrei Koory over the course of the summer of 2021. They incorporate watercolor, sumi ink, epson salt on yupo paper.
This book appears to be the autobiographical account of a young man adrift at sea. It is in part a tale of survival but it is intertwined with…
Seventy seven erasure poems made from The Lord’s Prayer. They are printed on translucent paper and the audience is invited to rearrange the prayers as they see fit….
A series of eight hinged book pieces incorporating drawings imbedded in reclaimed barn wood.
A series of 77 icon inspired contemplative pieces. Right before the COVID-19 pandemic started I began a series of explorations by melting plastic communion cups. This series incarnates…
A series of double sided drawings on vellum. Each images uses the medieval format of margin making to duplicate the size and scale of the original Gutenberg Bibles….
A series of ten sculptures made of communion wafers, stones and marcescene leaves. Marcescene Beech leaves are dead leaves that stay attached to the living branches through the…
Towards Convergence was a collaborative experience involving Professors Jordan VanHemert, Eric Van Tassell and Jasmine Domfort. Special thanks to Erik Alberg for his help installing the veils.
Exhibited in the Earl & Virginia Green Art Gallery at Biola University. Seeds of Contemplation is a two person exhibition of work from Kiyomi Fukui and Greg Lookerse….
A series of site specific drawings made while kneeling with objects found nearby. The marks map the extent of my reach.
A series of 24 veils that rose twenty feet. The forest depicted on the veils were inspired by my walks through the West Michigan woods. The veils were…
A small scale rendition of the performance by the same name.
Modeled after the description of a rosary Alexander Solzhenitsyn had made for himself while imprisoned in a Soviet Gulag. The bread beads were used as a memory device…
Graphite on a stone retrieved from Lake Superior.
Charcoal on repurposed sketch book pages. Sumi ink on repurposed sketch book pages.
Gesso on tar paper.
A meditative labyrinth drawn in sumi ink with finger tips on repurposed sketchbook pages. The form of the floor mat was determined by my reach while kneeling. The…
Constructed from pages of Art Forum magazine these geometric forms are inspired by Islamic Quilt patterns. 72×42 inches.
The Reciprocity Collective created a musical and dance performance in response to my work in at A.R.E.A. Gallery.
Still images of a variable size video projection installation. The video is shot in 4k and is available in an edition of 3. It is 24 minutes long.
Installation images of my solo exhibition at A R E A gallery in SoWa.
A series of six cut and folded paper pieces based on the ceilings of different cathedrals, basilicas, and chapels. They can be hung both vertically and horizontally. They…
The Immaculate Rose The Unstained Rose
As a response to my time as Artist in Residence at Fruitlands Museum I made a large roll of book pages. The focus of the year at the…
An interactive meditative labyrinth that allows each user to design their own labyrinth based on a journey of their own. Installation at the Fruitlands Museum in Harvard, MA.
Series of six cut and folded paper pieces based on Islamic mosaic patterns.
Three of my pieces are a part of the Book Undone exhibition at Penn College of Tech which is a part of Penn State. Here is a link…
Series of cut and folded low relief paper sculptures. Made from pages of my copy of H.D. Thoreau’s Journal. 10×10″
Open until August 20th at the The Fruitlands Museum. Literary Soil is a solo exhibition that is the first installment of my work at the museum. As the Artist in…
Confessional Labyrinth. Pages of Augustine’s Confessions and a meditation stool. 240″ x 240″ Opposite the Confessional Labyrinth is the Hermetic Labyrinth. Pages of Thoreau’s Walden and a meditation stool. 240″ x 240″ Installation view at the Piano…
Black Labyrinth #2, sumi ink and oils stick on paper. 21″ x 14″ Black Labyrinth #1, sumi ink on paper. 21″ x 14″
Drawing on pages from The Brothers Karamazov. White mulberry paper, gold leaf, meditation stool. Installation view at the Piano Craft Gallery. 128″ x 40″
Fifty wooden icons with sumi ink, gold leaf and three meditation stools. Dimensions vary. Installation view at the Piano Craft Gallery.
As an avid reader I often need to explore author’s ideas in a less narrative and more visual manner. Communing with Silence is a series of drawings, sculptures…
Oil stick layered on pages from Melville’s Moby Dick.
Salt crystals grown on the first 37 chapters of Melville’s Moby Dick.
A bottomless shelf made from walnut containing rolled scrolls from Cervantes’ Don Quixote. Each scroll has a golden brace inserted inside of it. Over time, depending on the current obstacles,…
Cut and folded paper from Annie Dillard’s novel titled The Living.
For four weeks the artist tried to teach a white stone to say the word “father.” This ritual occurred at various times most days of the month of…
The following image is a digital composite The above image is a digital composite of a series of drawings made upon the pages of my personal copy of…
Over the course of 30 minutes I drew 28 circles of black sand. On the wall beside me a video projected the following poem: Widening Circles translation by…
A series of stones wrapped in wet paper, rained upon and then dried.
At Zeleny Les in a field where are horse was buried a tree was also dead. I attached the title page of Faulkner’s text with a water soluble glue….
With chalk I drew concentric circles on several stones in the brook at Zeleny Les. While at Zeleny Les the idea of the passage of time was prevalent in…
During my residency at Zeleny Les I created a patchwork paper curtain with a wooden frame on either end. The curtain was hung in the woods with a small bench…
The first of my framed remnants from my performance Searching for a Honey Tree with Fear and Trembling. The piece the description of the performance along with the…
A series of twelve Altar Stones inside glass cloches. The various stones have become vessels to hold a mixture of charcoal and raw honey. Six of the series are…
Over the course of 2 hours and 25 minutes I cut two Codfish into five thousand pieces. The performance took place outside of the iconic Motif #1 fish…
The Relics from my performance Five Loaves of Bread Broken Into Five Thousand Pieces
Honey Storage: #1 #2 #3 #4 #5 #6 #7 #8 #9 #10 #11 #12 #13 #14 Honeycomb Studies:
The American Willow American Forest Studies
Last week I installed a piece at the Rockport Art Association for a exhibition titled Out of Bounds. It was a great experience, though, incredibly stressful. My original piece…
The Iliad Book 16 Sing the Rage The first in a series of explorations in response to Homer’s The Iliad.
Ink on every page from Machiavelli’s The Prince
Recent Collages
A series of Monotypes made in November 2014.
The relics of my “…in a drifting boat with a slow leakage” T.S. Eliot installation.
An edition of ten relics from my 77 Hammers Hammering One Nail or The Kneeling Confessional framed in shadow boxes meant to lie flat.
In response to the censoring of one of my pieces I responded with this piece. A torn sail strung up like a hammock obscures a book containing T.S….
An English translation of both the Quran and the Bible are merged together both in conflict and an embrace.
Honey is used to glue a broken stone back together.
While wearing an icon of St. Francis preaching to birds I fed the seagulls of Rockport Mass. Photos courtesy of Janee Lookerse.
On a prayer mat made of books I prayed until the rain stopped. My body kept some pages dry and the mat kept the ground dry.
For six days, beginning Monday May 12th and ending Saturday May 17th, the artist occupied this space for as long as it took for the text Fear and…
Over the course of three hours and seven minutes i wrote the following poem with chalk on a chalk board:Suppose we did our workLike the snow, quietly, quietly,Leaving…
Over the course of seven hours and forty six minutes I broke five loaves of bread into 5000 pieces with a few crusts left over. The piece took…
In this performance 77 unfired clay hammers were used to hammer a single nail into a block of wood.